Re: The darker side of black (was The whiter side of white)
From: "John Crimmins" <johncrim@v...>
Date: Thu, 28 Feb 2002 22:04:18 -0500 (EST)
Subject: Re: The darker side of black (was The whiter side of white)
On Thu, 28 Feb 2002 20:40:50 -0600, Allan Goodall <agoodall@att.net>
wrote :
> On Thu, 28 Feb 2002 16:21:18 -0800, Jaime Tiampo
<fugu@spikyfishthing.com>
> wrote:
>
> >Ok, I've been thinking on this and having never actually bothered to
try
> >I'm at a loss as how to do it. How do you give cotrast to white? You
can
> >use a light or dark grey for shadow but what do you use to reflective
> >edges?
For white, I start with a base of medium grey, and then drybrush it with
two
lighter shades of grey, and then finally with pure white.
I've also experimented with starting with a base of white, inking the
mini with
grey ink, and then drybrushing with white again. This works best for
figures
that are almost entirely white, like stormtroopers.
> Okay, here's the opposite question. How do you do black? Do you paint
in a
> very dark blue and then use black for the shadows? Or do you just
paint the
> whole figure in black and do a highlight in either some blue shade, a
grey
> shade, or a silver shade? Or is there another option?
I start with a base of black and then drybrush it with a very dark blue
(Pthalho blue) or green, depending on which I want. I then drybrush it
very,
very lightly with a lighter shade of the same color as the first
drybrushing.
I've also gotten very good effects drybrushing a very pale grey directly
over
black -- again, *very* lightly -- although this is better for something
that's
supposed to look a little worn.
John Crimmins
johncrim@voicenet.com
http://www.voicenet.com/~johncrim